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Blues Breakers With Eric Clapton Reviews


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Average Customer Review
36 Reviews
5 star:
 (23)
4 star:
 (9)
3 star:
 (4)
2 star:    (0)
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16 of 16 people found the following review helpful
5.0 out of 5 stars Remastered Stereo and Mono Mixes, August 19, 2004
By 
Sir George Martini "Verbalosity" (Fromage Au Gratin, Wisconsin) - See all my reviews
Clapton's Les Paul/Marshall combo was revolutionary when this album was released. Some people may prefer the thinner sounding Strat on his solo recordings, but this is the ultimate tone for me, including the SG he played in Cream. Not only is the stereo version on this remastered CD, but original mono mix also appears with some very noticeable differences.
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18 of 19 people found the following review helpful
5.0 out of 5 stars Guitar Heaven by Eric Clapton!, May 24, 1999
By A Customer
This review is from: Blues Breakers With Eric Clapton (Audio CD)
Few albums have had greater impact than John Mayall's 1966 landmark "Blues Breakers With Eric Clapton." Released by the Decca label in Britain on 22 July 1966, literally days after Clapton quit the Bluesbreakers and just a week before Cream's debut, it went all the way to #6, a pretty mean feat since Mayall's band had never had a hit single. This may have been a first in Britain.

Of course, this is the album that set the blues and guitar worlds aflame and established Eric Clapton's name worldwide as the most passionate of musical interpreters. If you haven't yet heard "Beano" (as it is affectionately known, because Clapton is pictured reading a "Beano" comic book on its cover), then you ain't heard nuthin' yet!

From the album's first notes, you realize that you're in guitar heaven, as "Slowhand" shows us the way electric guitar can and should be played. Clapton's virtuoso playing is white hot throughout. Playing with a maturity beyond his... Read more

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12 of 12 people found the following review helpful
5.0 out of 5 stars Definitive Version, April 13, 2003
By 
loo loo (Carneolio, Kansas) - See all my reviews
This remastered release features both mono and stereo versions of each cut, and the differences are astounding. Eric Clapton did some his most inspired playing with John Mayall.
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